![]() ![]() Driven by a clever Casio-bass clarinet loop, it's the hottest thing on the record, punctured slightly by Elliott's disarming murmur, "I was feeling so good I had to touch myself," but it's good enough to withstand that. That works to her advantage on the lead single, "Oops (Oh My)," where she's so taken by a seduction she can barely speak, or even name who's taking her. She's attractive and is sweetly sexy, but isn't forceful. This formula depends more on the overall sound of the track than the charisma of the singer - but, ironically enough, it works best when its fronted by somebody with personality, like Elliott. Served them so well, it's given them critical and chart hits, along with a host of imitators, so there is no reason to abandon it now, even if the skeletal rhythms and endlessly looped riffs are beginning to wear a bit thin. It should come as no surprise that those are the two dominant personalities on Southern Hummingbird, even if Tweet produces and co-writes several cuts here, since this whole axis has one sound that has served them well. Prior to her debut album, Southern Hummingbird, Tweet made her name as a protégée of Missy "Misdemeanor" Elliott, appearing as a backing/guest vocalist on a few tracks with Elliott and, naturally, Elliott's producer, Timbaland. Tweet southern hummingbird album zip download#Things I Don't Mean (feat.Purchase and download this album in a wide variety of formats depending on your needs. That said, if Tweet doesn't shake things up a little and takes another three years to make her third album, she shouldn't be surprised if she loses a good chunk of her audience.Ġ2. While this follow-up doesn't make any improvements on the debut, it'll please fans. "Iceberg"'s off-kilter combination of pricklish acoustic guitar and widely spaced beats make you feel like you're getting a toe tickling and a deep tissue massage simultaneously "Things I Don't Mean," a laid-back disco-funk jam, is unique in its form of regret ("I didn't mean the lie when I said to you, 'You make me sick, you can pack your sh*t, I'ma be alright with or without you'") "Two of Us," shared with daughter Tashawna, will be thought of as sweet by any parent and corny by just about anyone else. Besides, she's far too charming and bewitching, serving heavy dosages of wisdom and sweetness. Several inspired songs do make It's Me Again desirable, so there's really no reason why anyone should think of Tweet as a one-hit wonder. Additionally, nothing on the album is as magnetic or odd as "Oops (Oh My)," which - to be fair - had to be expected. Though few songs are second-rate, their similarities make them bleed into each other too much. (Get on the bus, indeed where are Road to Stardom judges Teena Marie and Dallas Austin when you need them?) Like on Southern Hummingbird, slow tempos and spare arrangements dominate, but restlessness is bound to set in during the latter half. Elliott's berserk (not Bazerk) squawks vandalize return single "Turn da Lights Off," a Kwamé co-production touched by old-school elegance and vinyl crackle à la Monica's "So Gone" - another moment when Elliott should've been blocked from the vocal booth. ![]() If It's Me Again had a couple more up-tempo tracks and fewer scene jackings from Missy Elliott, it would have no trouble matching the greatness of 2002's Southern Hummingbird. ![]()
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